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' swinging sleeves ') is a style of kimono distinguishable by its long sleeves, which range in length from 85 cm (33 in) for a kofurisode (小振袖, lit. ' short swinging sleeve '), to 114 cm (45 in) for an ōfurisode (大振袖, lit. ' large swinging sleeves '). Furisode are the most formal style of kimono worn by young unmarried women in Japan.
A hip- or thigh-length kimono-like overcoat with straight, rather than overlapping, lapels. Haori were originally worn by men until they were popularised as women's wear as well by geisha in the Meiji period. The jinbaori (陣羽織) was specifically made for armoured samurai to wear. Haori himo (羽織紐) A tasseled, woven cord fastener for ...
Antique nihongami katsura (wig) in a display case. The yuiwata hairstyle. Many hairstyles now labelled nihongami were developed during the Edo period, when a preference amongst women for long, flowing hairstyles transitioned towards more elaborate, upswept styles, featuring buns at the back of the neck and 'wings' at either side of the head.
The style at this time was to wear long, loose, straight hair. "Floor-length black tresses were considered the height of beauty." [4] The 11th-century novel The Tale of Genji (源氏物語, Genji monogatari) describes women showing off their long, flowing hair. Tosa Mitsuoki—Portrait of Murasaki Shikibu. Taregami
A woodblock print by Yōshū Chikanobu showing Japanese women in Western-style clothes, hats, and shoes (yōfuku)Japanese clothing during the Meiji period (1867–1912) saw a marked change from the preceding Edo period (1603–1867), following the final years of the Tokugawa shogunate between 1853 and 1867, the Convention of Kanagawa in 1854 – which, led by Matthew C. Perry, forcibly opened ...
The kosode: a short red or white silk robe of ankle or lower calf length. The nagabakama: the formal version of hakama worn by noble women; a very long pleated red skirt, sewn with two split legs. The hitoe: an unlined silk robe; usually red, white, or blue-green, although other colors (such as dark red-violet or dark green) very rarely occur.
The first instances of kimono-like garments in Japan were traditional Chinese clothing introduced to Japan via Chinese envoys in the Kofun period (300–538 CE; the first part of the Yamato period), through immigration between the two countries and envoys to the Tang dynasty court leading to Chinese styles of dress, appearance, and culture becoming extremely popular in Japanese court society. [1]
The kimono within the collection are not on permanent display, but are periodically lent or donated in part to cultural institutions; including the Kremlin Museums in Moscow [5] and the Victoria and Albert Museum in London. [6] [7] Khalili, who also owns a collection of Meiji-era Japanese art, describes kimono as "one of the wonders of the ...