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The Yamaha M7CL is a digital mixer that was introduced by Yamaha Pro Audio in 2005. [1] Two models with onboard analog input exist: the M7CL-32 and M7CL-48. These models have 40 (32 microphone and 4 stereo line)- and 56 (48 microphone and 4 stereo line)-input channels respectively, counting mono channels.
The PM5000 was a hybrid analog mixer with a digital control system which provided scene recall. [5] In 1999, Yamaha debuted a first of its kind, all digital large format console, The PM1D system. With scalable I/O configuration the total channel count could be brought up to 320 mic inputs.
The digital Yamaha M7CL mixing console is another such product; it has a 19×8 matrix section summing 16 mixes as well as the main left/right/mono outputs (see screenshot). In the classic analog monitor mixer without faders, the console is set up as a large matrix mixer with the addition of equalization filters and other controls for each input ...
16-channel mixing console with compact short-throw faders. Analog consoles have a column of dedicated, physical knobs, buttons, and faders for each channel, which is logical and familiar to generations of audio engineers who have been trained on analog mixers.
Yamaha YMU759 (a.k.a. MA-2) 2000 32 16 2 Some 2000s cellphones, PDAs: 8 channels for 4 operators, an additional ADPCM channel [89] Yamaha YMU762 (a.k.a. MA-3) 2001 64 32 2 Some 2000s cellphones, PDAs: 16 channels for 4 operators, 8 additional PCM/ADPCM channels [90] Yamaha YMU765 (a.k.a. MA-5) 2003 64 32 2 Some 2000s cellphones, PDAs
PSR-OR700 (2007, Oriental version of Yamaha PSR-S700) PSR-A2000 (2012, Oriental model and black version of Yamaha PSR S710. And the first A series whose Pitch Band and Modulation uses a Joystick) PSR-A3000 (2016, Oriental version based on Yamaha PSR-S770 and first A Series to have multiple colours in the board)
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