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The advantage of these sleeves, in the days of single colour printing, was that the four-colour front was printed on a separate sheet to the single colour back and the two halves were then glued together as the sleeve was fabricated. This allowed half the number of passes through a printing press to produce the front cover, and a quarter for ...
When it comes to older prints, the condition of a print largely depends on the technique used to make the paper. Prints that are several hundred years old may be in better condition than prints that are less than 50 years old . [16] Many older prints will yellow or brown over time owing to acids in the paper and any matting or backing
Screen printing is a printing technique where a mesh is used to transfer ink (or dye) onto a substrate, except in areas made impermeable to the ink by a blocking stencil.A blade or squeegee is moved across the screen in a "flood stroke" to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact.
Foamcore, foam board, or paper-faced foam board is a lightweight and easily cut material used for mounting of photographic prints, as backing for picture framing, for making scale models, and in painting. It consists of a board of polystyrene foam clad with an outer facing of paper on either side, typically white clay-coated paper or brown ...
The dust jacket (sometimes book jacket, dust wrapper or dust cover) of a book is the detachable outer cover, usually made of paper and printed with text and illustrations. This outer cover has folded flaps that hold it to the front and back book covers; these flaps may also double as bookmarks.
A canvas print is the result of an image printed onto canvas which is often stretched, or gallery-wrapped, onto a frame and displayed. Canvas prints are used as the final output in an art piece, or as a way to reproduce other forms of art.
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The lining of paintings is a process of conservation science and art restoration used to strengthen, flatten or consolidate oil or tempera paintings on canvas by attaching a new support to the back of the existing one. The process is sometimes referred to as relining. Most often a new support will be added directly to the back of an existing ...
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