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Two large stained-glass windows installed by Hartford City Glass Company's Belgian glass workers A New England Glass Company ewer , 1840–1860 A Novelty Glass Company advertisement in 1891 An electrical insulator made by Whitall Tatum Company , circa 1922
A fire severely damaged the factory during the summer of 1794, but by December the old glass works, and a new one, were operating. [111] More financial difficulties in 1795 caused the works to be taken over by Thomas and Samuel Mather. [112] Products were window glass and bottles. [113] The plant is thought to have closed in 1815 due to lack of ...
Stained glass windows in houses were particularly popular in the Victorian era and many domestic examples survive. In their simplest form they typically depict birds and flowers in small panels, often surrounded with machine-made cathedral glass which, despite what the name suggests, is pale-coloured and textured. Some large homes have splendid ...
When the dazzling 16-foot-high leaded stained- glass window arrived in Canton in 1913, it made front-page news—and postponed the new church’s dedication by a week because of a shipping delay.
The vast majority of glass windows were produced by the cylinder blown method, although possibly on a smaller scale than the classic methods mentioned by Theophilus. Some Anglo-Saxon window glass was produced by the crown method and at Repton thick pieces of window glass with swirling layered surfaces were possibly made using the cast method. [15]
The 173-year-old glass company has proved this concept again and again. The creator of iconic kitchen brands such as Pyrex and CorningWare also developed the glass for telescopes, the earliest TV ...
A very important advance in glass manufacture was the technique of adding lead oxide to the molten glass; this improved the appearance of the glass and made it easier to melt using sea-coal as a furnace fuel. This technique also increased the "working period" of the glass, making it easier to manipulate.
Detail, East window, St Peter's, Burnham Caricature of John Richard Clayton [2] In the 1850s a number of young designers worked in conjunction with the Gothic Revival architects in the provision of stained glass for new churches and for the restoration of old. These included John Richard Clayton, Alfred Bell, Clement Heaton, James Butler ...