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A jangseung (Korean: 장승) or village guardian is a Korean totem pole usually made of wood. Jangseungs were traditionally placed at the edges of villages to mark village boundaries and frighten away demons. They were also worshipped as village tutelary deities.
The totem pole model continues to be sought after at this time, a trend that continues to the present. 1900–1910: Steady production of the creation of figures and poles. 1910–1960: Most items manufactured are small (6 inches or less). Only a few artists are carving large pieces at this time. Poles are manufactured and sold to stores and ...
Kwakwaka'wakw totem pole carvers such as Charlie James, Mungo Martin, Ellen Neel, and Willie Seaweed kept the art alive and also carved masks, furniture, bentwood boxes, and jewelry. Haida carvers include Charles Edenshaw, Bill Reid, and Robert Davidson.
While ill with pneumonia and unable to fish, he began to carve miniature totem poles. His interest in art was piqued, and he enrolled in the Institute of American Indian Arts in Santa Fe, New Mexico. Since then, Jackson's work has included large totem poles, canoes, carved doors, wood panel clan crests, masks, and jewelry.
Detail of "Gyaana", totem pole designed by Davidson and carved by him and others, Lions Lookout Park, White Rock, British Columbia, Canada. Davidson is known internationally as a carver of totem poles and masks, printmaker, painter and jeweller.
Lands-in-the-sky totem pole, Suquamish. Carved by Joe Hillaire for the 1962 Seattle World's Fair. Joseph Raymond Hillaire or Kwul-kwul’tw (1894–1967) was an American Indian sculptor of the Lummi (Lhaq’temish) tribe, known for his carved totem poles in the style of the Coast Salish peoples.
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