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The Power and the Glory is a 1961 American TV film based on the 1940 novel The Power and the Glory by Graham Greene. It was produced by David Susskind at Talent Associates-Paramount for CBS. The production was shot for American TV but also distributed theatrically overseas. [1]
Los Angeles's Broadway Theater District stretches for six blocks from Third to Ninth Streets along South Broadway in Downtown Los Angeles, and contains twelve movie theaters built between 1910 and 1931. In 1986, Los Angeles Times columnist Jack Smith called the district "the only large concentration of vintage movie theaters left in America." [4]
Broadway, until 1890 Fort Street, is a major thoroughfare in Los Angeles County, California, United States.The portion of Broadway from 3rd to 9th streets, in the Historic Core of Downtown Los Angeles, was the city's main commercial street from the 1910s until World War II, and is the location of the Broadway Theater and Commercial District, the first and largest historic theater district ...
The principal characters of The Power and the Glory all have antecedents in The Lawless Roads, mostly as people Greene encountered directly or, in the most important instance, a legendary character that people told him about, a certain "whisky priest", a fugitive who, as Greene writes in The Lawless Roads, "existed for ten years in the forest ...
Now operated by a subsidiary of the Nederlander Organization, the Pantages is one of Los Angeles's highest-grossing venues for live stage and Broadway-style productions. [4] The five highest-grossing weeks in LA theater history were all at this theater, [ 5 ] [ 11 ] and the theater has presented large-scale Broadway musicals such as Wicked ...
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Desmond's Building, built in 1924, was designed by Albert C. Martin Sr., [2] the architect responsible for several Los Angeles landmarks, including Million Dollar Theatre, City Hall, St. Vincent de Paul Church, May Company Building, and more. [3]
Goals are to provide economic development and business assistance; encourage historic preservation; reactivate Broadway's historic theaters and long-underutilized commercial buildings; and increase transit and development options by bringing a streetcar back to downtown Los Angeles with Broadway as the spine for the route.
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