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It describes the poet's musings on death over a series of nine "nights" in which he ponders the loss of his wife and friends, and laments human frailties. The best-known line in the poem (at the end of "Night I") is the adage "procrastination is the thief of time", which is part of a passage in which the poet discusses how quickly life and ...
The wise decision is to wager that God exists, since "If you gain, you gain all; if you lose, you lose nothing", meaning one can gain eternal life if God exists, but if not, one will be no worse off in death than if one had not believed. On the other hand, if you bet against God, win or lose, you either gain nothing or lose everything.
Death is a gentleman who is riding in the horse carriage that picks up the speaker in the poem and takes the speaker on her journey to the afterlife. According to Thomas H. Johnson's variorum edition of 1955 the number of this poem is "712". The poet's persona speaks about Death and Afterlife, the peace that comes along with it without haste.
Holograph manuscript of Gray's "Stanzas Wrote in a Country Church-Yard". The poem most likely originated in the poetry that Gray composed in 1742. William Mason, in Memoirs, discussed his friend Gray and the origins of Elegy: "I am inclined to believe that the Elegy in a Country Church-yard was begun, if not concluded, at this time [August 1742] also: Though I am aware that as it stands at ...
The Seafarer is an Old English poem giving a first-person account of a man alone on the sea. The poem consists of 124 lines, followed by the single word "Amen". It is recorded only at folios 81 verso – 83 recto [1] of the tenth-century [2] Exeter Book, one of the four surviving manuscripts of Old English poetry.
According to scholars, there does not seem to be a very strict form in "Contemplations" upon first glance. However, patterns can be found in the poem, including patterns of imagery. One example of this pattern in the poem is the metaphor of seasons passing. The poem moves from autumn all the way through to summer.
The last line of the first quatrain follows the fled term, "fled", or fleeing from a "vile" world and insinuates that the next world is even worse as it is where the vilest worms dwell. This creates the question of if it is any better after death than it was in life. [11] Booth takes a different approach to the sonnets.
Death was a constant theme that permeated aspects of Keats poetry because he was exposed to death of his family members throughout his life. [29] Within the poem, there are many images of death. The nightingale experiences a sort of death and even the god Apollo experiences death, but his death reveals his own divine state. As Perkins explains ...