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The criteria for this list is that the technology must: Exist in some way; purely hypothetical technologies cannot be considered emerging and should be covered in the list of hypothetical technologies instead. However, technologies being actively researched and prototyped are acceptable. Have a Wikipedia article or adjacent citation covering them.
2050 is a 2018 American independent science fiction drama film directed by Princeton Holt and starring Dean Cain, Stormi Maya, and Stefanie Bloom. It premiered on November 16, 2018 at the Williamsburg Independent Film Festival and was released theatrically on March 1, 2019. [ 1 ]
In the mid-21st century, around the year 2050, a Third World War will take place, between the United States, the "Polish Bloc", the UK, India, and China on one side, and Turkey and Japan on the other, with Germany and France entering the war in its late stages on the side of Turkey and Japan. According to Friedman, "I can’t possibly know the ...
The outcome of this initiative was the Energy Technology Perspectives, first published in 2006. [1] Energy Technology Perspectives (ETP) provides a long-term outlook on the global energy system, presenting main results up to the year 2050. The 2012 edition extended the analysis to include scenarios up to 2075.
Hypothetical technologies are technologies that do not exist yet, but that could exist in the future. [1] They are distinct from emerging technologies, which have achieved some developmental success. Emerging technologies as of 2018 include 3-D metal printing and artificial embryos. [2]
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Raymond Kurzweil (/ ˈ k ɜːr z w aɪ l / KURZ-wyle; born February 12, 1948) is an American computer scientist, author, entrepreneur, futurist, and inventor.He is involved in fields such as optical character recognition (OCR), text-to-speech synthesis, speech recognition technology and electronic keyboard instruments.
“The World in 2050” was a global futurist writing contest co-sponsored by The Economist magazine and Royal Dutch Shell in 2000. It carried a first prize of $20,000, which included publication of the winning piece in The Economist ’s annual flagship publication, “The World In”. [ 1 ]