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"But that music is a language by whose means messages are elaborated, that such messages can be understood by the many but sent out only by the few, and that it alone among all language unites the contradictory character of being at once intelligible and untranslatable—these facts make the creator of music a being like the gods and make music itself the supreme mystery of human knowledge."
The musical sources recorded are manuscripts or printed music, writings about music and libretti. They are stored in libraries, archives, churches, schools, and private collections. RISM establishes what exists and where it is kept. RISM is recognized among experts as the key place for documenting music sources all over the world.
Some institutions that train individuals for careers in music offer training in a wide range of professions, as is the case with many of the top U.S. universities, which offer degrees in music performance (including singing and playing instruments), music history, music theory, music composition, music education (for individuals aiming to ...
Comparative musicology is known as the cross-cultural study of music. [9] Once referred to as "Musikologie", comparative musicology emerged in the late 19th century in response to the works of Komitas Keworkian (also known as Komitas Vardapet or Soghomon Soghomonian.) [10] A precedent to modern ethnomusicological studies, comparative musicology seeks to look at music throughout world cultures ...
The Garland Encyclopedia of World Music is an academic reference work. It was initiated by editors at Garland Publishing in 1988 as a 10-volume series of encyclopedias of world music. The final volumes appeared in 2001, but editions have since been updated.
The range of possible topics is virtually limitless. Some examples might be "Music during World War I," "Medieval and Renaissance instrumental music," "Music and politics," "Mozart's Don Giovanni, or Women and music." The methods and tools of music history are nearly as many as its subjects and therefore make a strict categorization impossible.
The World in Six Songs: How the Musical Brain Created Human Nature is a popular science book written by the McGill University neuroscientist Daniel J. Levitin, first published by Dutton Penguin in the U.S. and Canada in 2008. It was updated and released in paperback by Plume in 2009 and translated into six languages.
The Oxford History of Music was first published in six volumes under the general editorship of Sir Henry Hadow between 1901 and 1905. [10] The first two, written by H. E. Woolridge (who had been appointed Slade Professor of Fine Art at Oxford in 1895), were entitled The Polyphonic Period and began with the music of ancient Greece. These volumes ...