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Understanding their student’s perspectives helps music lesson teachers support their students. A primary concern for any lesson instructor is student motivation for the long-term learning of an instrument. Student motivation pertains to how students of all ages develop the desire to study musical instruments, how and how much they value the ...
A common repertoire for all students of an instrument was established. This body of music is designed to allow each student to participate in group classes, help foster local and international musical community and camaraderie, and provide motivation for students to learn new music while keeping the 'old' pieces they have learned in top form.
Orff Schulwerk is considered an "approach" to music education. It begins with a student's innate abilities to engage in rudimentary forms of music, using basic rhythms and melodies. Orff considers the whole body a percussive instrument and students are led to develop their music abilities in a way that parallels the development of western music.
The Orff Approach of music education uses very rudimentary forms of everyday activity for the purpose of music creation by music students. The Orff Approach is a "child-centered way of learning" music education that treats music as a basic system like language and believes that just as every child can learn language without formal instruction so can every child learn music by a gentle and ...
The Oahu Music Company was a music education program in the United States during the 1930s and 1940s to teach students to play the Hawaiian Guitar. Popular culture in America became fascinated with Hawaiian music during the first half of the twentieth century [1] and in 1916, recordings of indigenous Hawaiian instruments outsold every other genre of music in the U.S. [2] By 1920, sales of ...
The program dates back to 1996 when David Wish, a first grade teacher in East Palo Alto, California, [5] began giving free guitar lessons to his students, as he was frustrated with the lack of music programming at his school. [6] He began by teaching his students the music they wanted to play, which led to him training other teachers to do the ...
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The teaching of piano playing most often take place in the form of weekly private lessons, in which a student and a teacher have one-on-one meetings. Instructions may sometimes be offered semi-privately (one teacher meeting with a small group of two or more students) or in classes of larger groups, in other intervals of time.