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Black composer and musician Thomas A. Dorsey, became a highly influential figure in Black gospel music beginning in the 1920s and 1930s. He earned the title of the “Father of Gospel Music” for ...
This page was last edited on 27 January 2021, at 04:24 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The lyrics of Albertina Walker’s classic Black gospel song serve as a blueprint for negotiating the patience love and marriage […] The post ‘Please, be patient with me’: Spiritual homework ...
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
Spirituals (also known as Negro spirituals, African American spirituals, [1] Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, [2] [3] [4] which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade [5] and for centuries afterwards, through ...
"Ezekiel Saw the Wheel", often given as "Ezekiel Saw de Wheel" is an African American spiritual.The song's music and text has no known author, but originated among enslaved African-Americans on Plantation complexes in the Southern United States sometime in the early 19th century.
An early version of "The Welcome Table" song in Hampton and Its Students (1874) indicating it was sung by a child who was separated from his mother in slavery. The Welcome Table (also known as the I'm Gonna Sit at the Welcome Table, or River of Jordan, or I'm A-Gonna Climb Up Jacob's Ladder or God's Going to Set This World on Fire) [1] is a traditional American gospel and African American folk ...
"Hold My Mule" is a 1988 black gospel song by Shirley Caesar. Telling the story of an old man named Shoutin' John who boisterously praises God for his numerous blessings to the dismay of more conservative, "spiritually dead" clergy, the song earned newfound popularity in 2016 after DJ Suede the Remix God remixed the song into the Thanksgiving anthem "You Name It!"
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