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Qañat or Qeñet (Amharic: ቅኝት, alternatively spelled Kignit, Keniet, Gegnet, Gignit) are secular musical scales developed by the Amhara ethnic group of Ethiopia. Qañat consists in a set of intervals defining the mode of a musical piece or the tuning scale of the instrument playing the piece. [ 1 ]
Complex rhythms: Ethiopian music is known for its intricate rhythmic patterns, as with the case for many African music, often featuring irregular meters and syncopation. Vocal styles: Traditional Ethiopian singing includes a variety of vocal techniques, such as melismatic, ornamentation, vocal slides, and call-and-response structures.
The masenqo (Amharic: ማሲንቆ; Tigrinya: ጭራ-ዋጣ (ዋጣ), also known as masinko, is a single-stringed bowed lute commonly found in the musical traditions of Eritrea and Ethiopia. [1] As with the krar , this instrument is used by Ethiopian minstrels called azmaris ("singer" in Amharic ) . [ 2 ]
Ethiopian liturgical chant, or Zema, is a form of Christian liturgical chant practiced by the Ethiopian Orthodox Tewahedo Church. [ 1 ] [ 2 ] The related musical notation is known as melekket . [ 3 ]
Orthodox Tewahedo music refers to sacred music of the Ethiopian and Eritrean Orthodox Tewahedo Church. The music was long associated with Zema (chant), developed by the six century composer Yared . It is essential part of liturgical service in the Church and classified into fourteen anaphoras, with the normal use being the Twelve Apostles .
The Amharic language is predominantly used in Ethiopia List of musicians ...
Washint (Amharic: ዋሽንት) is an end-blown wooden flute originally used in Ethiopia.Traditionally, Amharic musicians would pass on their oral history through song accompanied by the washint as well as the krar, which is a six stringed lyre, and the masenqo, a one string fiddle.
[7] April Clare Welsh of Fact Magazine called it "a vital document of Ethiopian musical history." [2] By the time of the album's re-release, synthesizers and drum machines had become common instruments within Ethiopian pop music, albeit in a different fashion than that on His Classical Instrument. Tangari felt one of the aspects which separates ...