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The song has a characteristic bass line and is set to a funk beat. For the most part, it is built entirely on a two-chord vamp: a i-IV in B ♭ Dorian (B ♭ m7 and E ♭ 7). [5] The piece's signature 12-note bass line was played by Hancock on an ARP Odyssey, [6] [7] as was one of the keyboard solos. The other keyboard solo was played on a ...
Some pop songs borrow its chord progression, bass line, or melodic structure, a phenomenon attributed to the memorability and simplicity of the work. The Canon also shares roots with other, more significant chord progressions that lay the foundations of modern pop music. Its perceived ubiquity is itself an object of cultural discussion.
Unlike these music genres, funk is based on the rhythmic groove of the percussion, rhythm section instruments, and a deep electric bass line, usually all over a single chord. "In funk, harmony is often second to the 'lock,' the linking of contrapuntal parts that are played on guitar, bass, and drums in the repeating vamp." [31]
It is a four on the floor-styled song with a simple and hypnotic sound design that makes use of tropical synths, Balearic beats, a rolling bassline, and funky piano chords, all layered with Lipa's vocals. [73] [74] [75] A remix of the track by Amaal Mallik featuring guest vocals in Hindi by Prakriti Kakar and Sukriti Kakar was released on 26 ...
A sharp acapella rendition of Motown standard Who's Lovin You leads into a hip-hop beat with a funky bass line, horn and piano sounds. "You've got to hold on, to your love", the girls proclaim, and it is their powerful singing that carries this one." [19] Spin placed the song at number four in their list of "The 30 Best '90s R&B Songs" in 2017 ...
“I always remember sitting in the back of my mom’s car and all of the songs playing [on the radio] were just so good,” Stefani told NME in October. “I mean, it was just the popular music ...
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