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The best-known and most-copied examples are those of the six figures of the Caryatid porch of the Erechtheion on the Acropolis at Athens. One of those original six figures, removed by Lord Elgin in the early 19th century in an act which severely damaged the temple and is widely considered to be vandalism and looting, is currently in the British ...
On the south wall of the western naos was an L-shaped staircase which leads to the higher Porch of the Maidens (or Caryatid Porch, or Korai Porch), a prostyle tetrastyle porch, or pteron, having six sculpted female figures as supports, all facing south and standing on a low wall. The only entrance to the Porch of the Maidens was the stairway ...
The Parthenon, on the Acropolis of Athens, Greece The Caryatid porch of the Erechtheion in Athens. Greek temples (Ancient Greek: ναός, romanized: nāós, lit. 'dwelling', semantically distinct from Latin templum, "temple") were structures built to house deity statues within Greek sanctuaries in ancient Greek religion.
The Caryatid was removed from Eleusis in 1801 by Englishman Edward Daniel Clarke, who later donated it to the University of Cambridge; it remains on display in the Fitzwilliam Museum. The second Caryatid B , preserved in a better condition than Saint Demetra, was unearthed in Eleusis some ninety years after the other one was taken, and it is ...
The Caryatid Porch of the Erechtheion, Athens, 421–407 BC Caryatid A sculpted female figure serving as an architectural support taking the place of a column or a pillar supporting an entablature on her head. Casement window A window hung vertically, hinged one side, so that it swings inward or outward. Cauliculus, or caulicole
Caryatid Porch of the Erechtheion, Athens, 421–407 BCE. The Panathenaea (Ancient Greek: Παναθήναια, "all-Athenian festival") was the most important festival for Athens and one of the grandest in the entire ancient Greek world. Except for slaves, all inhabitants of the polis could take part in the festival.
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The Caryatid Porch of the Erechtheion, Athens, 421–407 BC. The most significant Greek introduction, well before the Classical period, was pedimental sculpture, fitting in the long, low triangle formed by the pediment above the portico of Greek temples.