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The Library of Congress: Historic American Sheet Music: 1850–1920: American: 3,042 19th and early 20th-century American sheet music drawn from the Rare Book, Manuscript, and Special Collections Library at Duke University. The Library of Congress: The Library of Congress: Music for the Nation: American Sheet Music 1870–1885: 19th-century ...
Melbourne E. Bay (February 25, 1913 – May 14, 1997), known professionally as Mel Bay, was an American musician and publisher best known for his series of music education books. His Encyclopedia of Guitar Chords , first published in 1971, remains a bestseller.
D Jean Daetwyler (1907–1994) Concerto for viola and orchestra (1979) Jörgen Dafgård (b. 1964) For the Sleeping: Dream Sonata for viola and tape (1997–1998) Frames and Flow, 6 Duets for violin, viola and cello (1988–2000); Nos. 1 and 3 for viola and cello; Nos. 2 and 5 for violin and viola; STIM; Swedish Music Information Centre Roland Dahinden (b. 1962) broken lines for viola and ...
G Morten Gaathaug (b. 1955) 5 Duets for violin and viola, Op. 2b (1978); Music Information Centre Norway Norwegian Fantasy for clarinet, viola and piano, Op. 44b (1994); Music Information Centre Norway Quasi una fantasia for viola and piano, Op. 12d (1980, 2002); Music Information Centre Norway Kenneth Gaburo (1926–1993) Ideas and Transformations No. 1 for violin and viola (1954–1955 ...
The first song to became "popular" through a national advertising campaign was "My Grandfather's Clock" in 1876. [3] Mass production of piano in the late-19th century helped boost sheet music sales. [3] Toward the end of the century, during the Tin Pan Alley era, sheet music was sold by dozens and even hundreds of publishing companies.
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While helping Primrose to write his memoirs, Dalton suggested that the HBLL could preserve Primrose's papers. After meeting with library officials in 1974, the Primrose Viola Archive was established in 1979 when Primrose agreed to donate his viola sheet music and memorabilia to the library to start a national-scale viola archive. [2] [4]
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