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In the third and fourth bars of the “Air” from J.S. Bach’s Orchestral Suite No. 3 in D major, the violin part forms a tonal sequence with the notes modified to fit the harmony, while the intervals in the bass line are unchanged, creating a real sequence. The whole passage also forms a modulating sequence, starting in D major and moving ...
The normal form of the diatonic scale, such as C major; 0, 2, 4, 5, 7, 9, and 11; is 11, 0, 2, 4, 5, 7, and 9; while its prime form is 0, 1, 3, 5, 6, 8, and 10; and its Forte number is 7-35, indicating that it is the thirty-fifth of the seven-member pitch class sets. Sets of pitches which share the same Forte number have identical interval ...
Pages in category "Theorems about real number sequences" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes. B.
Computation of the sum 2 + 5 + 8 + 11 + 14. When the sequence is reversed and added to itself term by term, the resulting sequence has a single repeated value in it, equal to the sum of the first and last numbers (2 + 14 = 16). Thus 16 × 5 = 80 is twice the sum.
In mathematics, a harmonic progression (or harmonic sequence) is a progression formed by taking the reciprocals of an arithmetic progression, which is also known as an arithmetic sequence. Equivalently, a sequence is a harmonic progression when each term is the harmonic mean of the neighboring terms.
Some real numbers have decimal expansions that eventually get into loops, endlessly repeating a sequence of one or more digits: 1 ⁄ 3 = 0.33333... 1 ⁄ 7 = 0.142857142857... 1318 ⁄ 185 = 7.1243243243... Every time this happens the number is still a rational number (i.e. can alternatively be represented as a ratio of an integer and a ...
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