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Several tracks (notably the opening song "Tidal Wave") have as many as ten guitars playing at any one time (usually eight rhythm guitars and two guitars used for solos). The Japanese version of Fun Trick Noisemaker contains the extra tracks "Shine (In Your Mind)" and "Thank You Very Much". These tracks can be found in mp3 format on the Elephant ...
A stereo effect is achieved through differences in sound pressure level between two microphones. Due to the lack of differences in time-of-arrival and phase ambiguities, the sonic characteristic of X-Y recordings is generally less spacey and has less depth compared to recordings employing an AB setup. Blumlein pair stereo
Reverse echo and reverse reverb are sound effects created as the result of recording an echo or reverb effect of an audio recording played backwards. The original recording is then played forwards accompanied by the recording of the echoed or reverberated signal which now precedes the original signal.
Neumann KU 100 microphone used to record binaural sound. Binaural recording is a method of recording sound that uses two microphones, arranged with the intent to create a 3D stereo sound sensation for the listener of actually being in the room with the performers or instruments.
Audio feedback from microphones occurs when a microphone is too near a monitor or main speaker and the sound reinforcement system amplifies itself. Audio feedback through a microphone is almost universally regarded as a negative phenomenon, many electric guitarists use guitar feedback as part of their performance. This type of feedback is ...
The ffrr series was continued at the end of the following decade by another in stereo sound called ffss (full frequency stereo sound), equally appreciated for its quality. The sound shots were obtained by three omnidirectional microphones suspended at nearly 5 ', (1.5 meters) over the orchestral group ( Decca tree ).
Multi Stereo Surround (MSS) [22] – This approach treats the speakers in a surround sound system as a multitude of stereo pairs. For example, a stereo recording of a piano, created using two microphones in an ORTF configuration , might have its left channel sent to the left-rear speaker and its right channel sent to the center speaker.
The microphones should be as similar as possible, preferably a frequency-matched pair of an identical type and model. The result is a realistic stereo field that has reasonable compatibility with mono playback. Since the cardioid polar pattern rejects off-axis sound, less of the ambient room characteristics are picked up.
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