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Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a cinematic term used primarily to describe stylized Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir.
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
A Turner Classic Movies expert shares his top picks.
Detour is a 1945 American independent [2] [3] film noir directed by Edgar G. Ulmer, and starring Tom Neal and Ann Savage.The screenplay was adapted by Martin Goldsmith and an uncredited Martin Mooney from Goldsmith's 1939 novel of the same title, and released by the Producers Releasing Corporation, one of the so-called Poverty Row film studios in mid-20th-century Hollywood.
The Chase is a 1946 American film noir directed by Arthur Ripley. The screenplay by Philip Yordan is based on Cornell Woolrich 's 1944 novel The Black Path of Fear . It stars Robert Cummings as Chuck Scott, a veteran who suffers from hallucinations.
High Wall is a 1947 American film noir starring Robert Taylor, Audrey Totter and Herbert Marshall. It was directed by Curtis Bernhardt from a screenplay by Sydney Boehm and Lester Cole, based on a play by Alan R. Clark and Bradbury Foote. [2]
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