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B minor is a minor scale based on B, ... The scale degree chords of B minor are: ... Rondo in B minor for violin and piano, D. 895;
A unique particularity of the minor chord is that this is the only chord of three notes in which the three notes have one harmonic – hearable and with a not too high row – in common (more or less exactly, depending on the tuning system used). This harmonic, common to the three notes, is situated 2 octaves above the high note of the chord.
In diatonic harmony, the half-diminished seventh chord occurs naturally on the seventh scale degree of any major scale (for example, B ø 7 in C major) and is thus a leading-tone seventh chord in the major mode. [3] Similarly, the chord also occurs on the second degree of any natural minor scale (e.g., D ø 7 in C minor). It has been described ...
Since the natural minor scale is built on the 6th degree of the major scale, the tonic of the relative minor is a major sixth above the tonic of the major scale. For instance, B minor is the relative minor of D major because the note B is a major sixth above D. As a result, the key signatures of B minor and D major both have two sharps (F ...
Relative tonic chords on C and A (Play ⓘ). Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 (Play ⓘ with half cadence, Play ⓘ with PAC) transitions from FM to its relative minor dm through the inflection of C ♮ to C ♯ between the second and third chords. This modulation does not require a change of key signature.
Major and minor third in a major chord: major third 'M' on bottom, minor third 'm' on top. Major and minor may also refer to scales and chords that contain a major third or a minor third, respectively. A major scale is a scale in which the third scale degree (the mediant) is a major third above the tonic note.
Its tonic chord is a diminished triad (B dim = B dim 5 min 3 = B D F, in the Locrian mode using the white-key diatonic scale with starting note B, corresponding to a C major scale starting on its 7th tone). This mode's diminished fifth and the Lydian mode's augmented fourth are the only modes that contain a tritone as a note in their modal scale.
Few large-scale works in B major exist: these include Haydn's Symphony No. 46. The aria "La donna è mobile" from Verdi's opera Rigoletto is in the key, as is the "Flower Duet" from Lakmé. Schubert's Piano Sonata, D. 575 and Dvořák's Nocturne Op. 40 are in B major. Brahms's Piano Trio No. 1, Op. 8, is in B major, though the piece ends in B ...
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