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The early house music sound was a "dialogue" between Hispanic, [2] and Black American post-disco [3] [4] [5] and European post-punk [6] [7] electronic music and their traditions with Italo-disco picked or, emulated the most, [8] as the template for house music. [9]
The City of Chicago, recognized the Hot Mix 5's contribution to the creation of house music and honored them by presenting each member with an individual street named after them [citation needed] and in addition a street called "Hot Mix 5 Way", which is located in downtown Chicago on the corner of Michigan Avenue and Balbo Drive. Kenny Jason ...
House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. [11] It was created by DJs and music producers from Chicago's underground club culture that consisted of Black gay men and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat.
The Warehouse, where DJ Frankie Knuckles helped introduce house music, got landmark status ahead of this weekend’s Chicago House Music The post The Warehouse, synonymous with house music ...
Mickey Oliver is an American musician born on the South Side of Chicago who played a significant role in popularizing house music. He gained prominence as a founding member of the Hot Mix 5 team, on the Chicago radio station 102.7 WBMX. Oliver eventually became the president of this group, which played a crucial role in shaping the early ...
House music originated in a Chicago nightclub called The Warehouse. Chicago house is the earliest style of house music. While the origins of the name "house music" are unclear, the most popular belief is that it can be traced to the name of that club. DJ Frankie Knuckles originally popularized house music while working at The Warehouse. [6]
The Warehouse was a place that allowed house music to flourish as a continuation of disco under Frankie Knuckles. It continued the tradition of making music for the club, for people to truly feel and to create a holy dance atmosphere and experience over just trying to make something that could get hits on the radio or top 40 charts.
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