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In philosophy, deconstruction is a loosely-defined set of approaches to understanding the relationship between text and meaning.The concept of deconstruction was introduced by the philosopher Jacques Derrida, who described it as a turn away from Platonism's ideas of "true" forms and essences which are valued above appearances.
Deconstruction as a strategy tries to find the most surprising contradictions in texts, unravel them, and build upon this; instead of finding the truth, the closure, or the steadfast meaning, it finds absence of presence, freeplay of meanings, etc. It is this absence of presence that is described as 'trace' by Derrida.
Deconstruction is a critical outlook concerned with the relationship between text and meaning. Jacques Derrida 's 1967 work Of Grammatology introduced the majority of ideas influential within deconstruction.
Jacques Derrida (/ ˈ d ɛr ɪ d ə /; French: [ʒak dɛʁida]; born Jackie Élie Derrida; [6] 15 July 1930 – 9 October 2004) was a French philosopher. He developed the philosophy of deconstruction, which he utilized in a number of his texts, and which was developed through close readings of the linguistics of Ferdinand de Saussure and Husserlian and Heideggerian phenomenology.
These relations with other terms express not only meaning but also values. Such oppositions are put to work in texts in both theoretical and practical ways. The first task of deconstruction is to reveal their operation in philosophical, literary, juridical etc. texts: [13] On the one hand, we must traverse a phase of overturning.
A year later, in 1967, Roland Barthes published "The Death of the Author", in which he announced a metaphorical event: the "death" of the author as an authentic source of meaning for a given text. Barthes argued that any literary text has multiple meanings and that the author was not the prime source of the work's semantic content.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
In critical theory and deconstruction, phallogocentrism is a neologism coined by Jacques Derrida to refer to the privileging of the masculine in the construction of meaning. [1] The term is a blend word of the older terms phallocentrism (focusing on the masculine point of view) and logocentrism (focusing on language in assigning meaning to the ...