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Additionally, there has been academic discussion on whether The Owl and the Nightingale could have been written by a religious group of nuns with other religious women as their target audience. [3] It is equally difficult to establish an exact date when The Owl and the Nightingale was first written. The two surviving manuscripts are thought to ...
Winifred Emma May (4 June 1907 – 28 August 1990) was a poet from the United Kingdom, best known for her work under the pen name Patience Strong.Her poems were usually short, simple and imbued with sentimentality, the beauty of nature and inner strength.
Five Childhood Lyrics is a choral composition by John Rutter, who set five texts, poems and nursery rhymes, for mixed voices (SATB with some divisi) a cappella. [1] Rutter composed the work for the London Concord Singers who first performed them in 1973. [2] The five movements are: [2] Monday's Child; The Owl and the Pussycat; Windy Nights
The poem's two-stanzas were originally formatted sideways across opposite pages on its first publication, making the likeness to two sets of wings more obvious. [5] Another pattern poem appearing near the start of his collection, The Temple, was "The Altar". There were three other poems in the shape of wings published later than Herbert's.
An asterisk indicates that this poem, or part of this poem, occurs elsewhere in the fascicles or sets but its subsequent occurrences are not noted. Thus "F01.03.016*" indicates the 16th poem within fascicle #1, which occurs on the 3rd signature or sheet bound in that fascicle; and that this poem (or part of it) also recurs elsewhere in the ...
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"The Owl and the Pussy-Cat" was the main topic of The Owl and the Pussycat Went to See..., a 1968 children's musical play about Lear's nonsense poems. The play was written by Sheila Ruskin and David Wood. [9] In 1996, Eric Idle published a children's novel, The Quite Remarkable Adventures of the Owl and the Pussycat, based on the poem
"The Owl and the Pussy Cat" is a song for soprano and piano composed by Igor Stravinsky in 1966, based on the eponymous text by Edward Lear. It is Stravinsky's final completed original composition. Stravinsky had known Lear's poem prior to setting it as it had been the first English language verses his wife Vera had memorized.