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This article is a list of people who led their own British dance band (distinct from British big band leaders, who played big band music). It includes those performers who were not British, but led a band based in Britain. [1
The BBC Radio programme Dance Band Days ran from 1969 to 1995 with a playlist of British dance band music. It was presented by Alan Dell, and subsequently by Malcolm Laycock. The programme was later transferred to Sunday Night at 10, until the British dance band content was dropped by the BBC in 2008. [12]
Music of the United Kingdom began to develop in the 1950s; from largely insular and derivative forms to become one of the leading centres of popular music in the modern world. By 1950 indigenous forms of British popular music, including folk music, brass and silver bands, music hall and dance bands, were already giving way to the influence of ...
Frankie Laine (at piano) and Patti Page, c. 1950 Harry Belafonte, 1954 This is a partial list of notable active and inactive bands and musicians of the 1950s . Musicians
The band usually consisted of fifteen members, with two or three vocalists. Many well known musicians played in the band over the years. At different times, they included Ken Mackintosh and Cecil Pressling (alto saxophone), Don Rendell (tenor saxophone), Bobby Benstead and Jimmy Deuchar (trumpet), Ken Wray (trombone), Eric Jupp and Arthur Greenslade (piano/arrangers) and Kenny Clare (drums).
Pages in category "1950s in British music" The following 13 pages are in this category, out of 13 total. ... (1951–1960) E. English folk music (1950–1959) G.
His orchestra was featured on BBC Radio almost every week in the 1950s and early 1960s. [2] In 1955, he appeared in the BBC Light Programme's "festival of dance music" at the Royal Albert Hall in London. A jovial character, Mackintosh enjoyed a joke and told the following story against himself.
Music of the United Kingdom developed in the 1960s into one of the leading forms of popular music in the modern world. By the early 1960s the British had developed a viable national music industry and began to produce adapted forms of American music in Beat music and British blues which would be re-exported to America by bands such as the Beatles, the Animals and the Rolling Stones.