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The bolero-son: long-time favourite dance music in Cuba, captured abroad under the misnomer 'rumba'. The bolero-mambo in which slow and beautiful lyrics were added to the sophisticated big-band arrangements of the mambo. The bolero-cha, 1950s derivative with a chachachá rhythm. The bachata, a Dominican derivative developed in the 1960s.
"Bésame Mucho" (Spanish: [ˈbesame ˈmutʃo]; "Kiss Me A Lot") is a bolero song written in 1932 by Mexican songwriter Consuelo Velázquez. [2] It is one of the most popular songs of the 20th century and one of the most important songs in the history of Latin music. It was recognized in 1999 as the most recorded and covered song in Spanish of ...
This resulted in massive sales, generated an estimated $1 million in royalties, and briefly made Ravel the best-selling classical composer 40 years after his death. [34] The French film Les Uns et les Autres was also distributed under the name Boléro, [35] and features a bolero dance sequence [36] by Jorge Donn [37] at the end.
"Flores negras" ("Black Flowers") is a bolero song written and composed by Cuban musician Sergio De Karlo and published in 1937. [1] It was introduced by Mexican tenor Pedro Vargas in the 1937 film Los chicos de la prensa. [2]
[1] [4] For "Quiéreme mucho", he combined the structure of a criolla (the first part) with that of a bolero (the second part), this possibly being the first time both genres had been combined in one song. [1] The song has a romantic style, which suggests an influence from the Italian lyric song. [5]
"Dos gardenias" is a bolero written in 1945 by Cuban composer and pianist Isolina Carrillo. [2] Widely considered a standard of the Latin music repertoire, the song became a hit for Daniel Santos in 1948, due to his recording with La Sonora Matancera with an arrangement by Pérez Prado.
Luis Enrique Gatica Silva (11 August 1928 – 13 November 2018), [1] better known as Lucho Gatica was a Chilean bolero singer, film actor, and television host known as "the King of Bolero". He is widely considered one of the greatest and most influential exponents of the bolero and one of the most popular of all time worldwide. [2]
The Latin or romantic ballad has its origin in the Latin American bolero in the 1950s (Lucho Gatica, Leo Marini), but also in the romantic song in Italian (Domenico Modugno) and French (Charles Aznavour, George Mustaki) in the 1960s and 1970s. In Mexico, the ballad recorded as such is "Sonata de Amor" (Sonata of Love) of Mario Álvarez in 1961.