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Males guests typically wear the Filipino Barong, or a suit. Women wear a formal or semi-formal dress, the length and color determined by the wedding theme. It is discouraged for female guests to wear white since this competes with the bride's traditional wedding dress color. For Chinese Filipino weddings, it is customary for the bride to wear red.
This paved the way for the emergence of a genuine mass-market in wedding invitations. Wedding invitations were still delivered by hand and on horseback, however, due to the unreliability of the nascent postal system. A ‘double envelope’ was used to protect the invitation from damage en route to its recipient.
Baro't saya. La Bulaqueña, an 1895 painting by Juan Luna of an upper class woman from Bulacan wearing a traje de mestiza. The painting is sometimes referred to as the " María Clara " due to the woman's dress. The baro’t saya or baro at saya (literally "blouse and skirt") is a traditional dress ensemble worn by women in the Philippines.
Decorations at a traditional Chinese wedding banquet. Traditional Chinese marriage is a ceremonial ritual within Chinese societies that involve a marriage established by pre-arrangement between families. Within the traditional Chinese culture, romantic love was allowed, and monogamy was the norm for most ordinary citizens. A band of musicians ...
Philippine debut. The debut ( / dɛˈbuː /) is a traditional Filipino coming-of-age celebration which celebrates a young woman's 18th birthday, the age of maturity in the Philippines. Although also reaching legal maturity at 18, a Filipino man may mark his own debut on his 21st birthday, albeit with less formal celebrations or none at all.
The Baháʼí Faith in the Philippines started in 1921 with the first Baháʼí first visiting the Philippines that year, and by 1944 a Baháʼí Local Spiritual Assembly was established. In the early 1960s, during a period of accelerated growth, the community grew from 200 in 1960 to 1000 by 1962 and 2000 by 1963.
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