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Spock remarks that Data has achieved the ideal Vulcan state of pure logic without emotion, and Data remarks that Spock feels emotion, which Data is trying to achieve. Picard, Data, and Spock are soon captured by Commander Sela (Tasha Yar's daughter), who is planning a Romulan conquest of Vulcan.
Spock claims no memory of ordering the course change. Kirk orders Spock to Sickbay, where McCoy finds evidence of physical and emotional stress which will kill him within eight days if not treated. Spock explains that he is undergoing pon farr, a condition male Vulcans experience periodically throughout their adult life, and that he must mate ...
Kirk has Spock scan a dark zone that appears on the main viewscreen. Suddenly, half the crew are sickened or faint. Spock is unable to determine the nature of the zone, but suggests it is some kind of energy turbulence, and possibly responsible for the death of the system inhabitants and the Intrepid crew. Kirk has Chekov launch a sensor probe ...
"Return to Tomorrow" is the twentieth episode of the second season of the American science fiction television series Star Trek. Written by John T. Dugan (under the pen-name "John Kingsbridge") and directed by Ralph Senensky, it was first broadcast February 9, 1968.
The Vulcan "salute" was devised by Leonard Nimoy, who portrayed the half Vulcan character Mr. Spock on the original Star Trek television series. A 1968 New York Times interview described the gesture as a "double-fingered version of Churchill's victory sign". Nimoy said in that interview that he "decided that the Vulcans were a "hand-oriented ...
Spock using the Vulcan neck pinch, from the third-season episode "And the Children Shall Lead" (1968). In the fictional Star Trek universe, the Vulcan nerve pinch is a fictional technique used mainly by Vulcans to render unconsciousness by pinching a pressure point at the base of the victim's neck.
The phrase was originally said by Captain James T. Kirk (William Shatner) in the original Star Trek series. "Where no man has gone before" is a phrase made popular through its use in the title sequence of the original 1966–1969 Star Trek science fiction television series, describing the mission of the starship Enterprise.
Spock finds a way around the cave-in and joins Kirk. He attempts a mind meld with the creature, but perceives little but intense pain. The creature, having gained some knowledge of human language from the meld, etches the ambiguous message "NO KILL I" into a rock. By making physical contact with the creature, Spock establishes a deeper mind meld.