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The Apocalypse Tapestry is a large medieval set of tapestries commissioned by Louis I, the Duke of Anjou, and woven in Paris between 1377 and 1382.It depicts the story of the Apocalypse from the Book of Revelation by Saint John the Divine in colourful images, spread over six tapestries that originally totalled 90 scenes, and were about six metres high, and 140 metres long in total.
The Light of the World (Keble College version). The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will ...
Pages in category "Paintings based on the Book of Revelation" The following 17 pages are in this category, out of 17 total. This list may not reflect recent changes .
It was during this period that Blake was commissioned to create over one hundred paintings intended to illustrate books of the Bible. These paintings depict "The Great Red Dragon" in various scenes from the Book of Revelation. And behold a great red dragon, having seven heads and ten horns, and seven crowns upon his heads.
Each cherub is crowned by a tongued flame, a reference to the "seven lamps of fire" described in Revelation 4.5. [9] In Revelation, Saint John wrote, And round about the throne were four and twenty seats: and upon the seats I saw four and twenty elders sitting, clothed in white raiment: and they had on their heads crowns of gold. [9]
"And there was war in heaven: Michael and his angels fought against the dragon; and the dragon fought and his angels, and prevailed not; neither was their place found any more in heaven" (Rev. 12:7). As recounted by the Revelation of Saint John, at the end of the world, war will break out between Heaven and Hell, between good and evil.
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Incised sarcophagus slab with the Adoration of the Magi from the Catacombs of Rome, 3rd century.Plaster cast with added colour. Except for Jesus wearing tzitzit—the tassels on a tallit—in Matthew 14:36 [9] and Luke 8:43–44, [10] there is no physical description of Jesus contained in any of the canonical Gospels.