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A pattern using longer notes alternating with shorter notes is sometimes called a dotted rhythm, whether or not it is written as such. Historical examples of music performance practices using unequal rhythms include notes inégales and swing. The precise performance of dotted rhythms can be a complex issue.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
If the effect of a passage was dotted, the compelling rhythm of the dotted notes, or notes inégales, would sometimes simply override all the rules. The Handel Fugue in D Minor from the First Sett of Suites 1709 in its first editions shows the first few notes of the theme with dotted rhythms, but the dots stop after 4 note for the first two ...
Dotted note notation and the equivalent durations in tied note notation. Tie across the beat, followed by identical rhythm notated without tie In music notation , a tie is a curved line connecting the heads of two notes of the same pitch , indicating that they are to be played as a single note with a duration equal to the sum of the individual ...
Pérotin, "Alleluia nativitas", in the third rhythmic mode. In medieval music, the rhythmic modes were set patterns of long and short durations (or rhythms).The value of each note is not determined by the form of the written note (as is the case with more recent European musical notation), but rather by its position within a group of notes written as a single figure called a ligature, and by ...
In 20th-century music, a dot placed above or below a note indicates that it should be played staccato, and a wedge is used for the more emphatic staccatissimo.However, before 1850, dots, dashes, and wedges were all likely to have the same meaning, even though some theorists from as early as the 1750s distinguished different degrees of staccato through the use of dots and dashes, with the dash ...
In music, a tuplet (also irrational rhythm or groupings, artificial division or groupings, abnormal divisions, irregular rhythm, gruppetto, extra-metric groupings, or, rarely, contrametric rhythm) is "any rhythm that involves dividing the beat into a different number of equal subdivisions from that usually permitted by the time-signature (e.g., triplets, duplets, etc.)" [1] This is indicated ...
One measure of the "Scotch snap" or Lombard rhythm notated in sheet music in a 4/4 time signature. The Lombard rhythm or Scotch snap is a syncopated musical rhythm in which a short, accented note is followed by a longer one. This reverses the pattern normally associated with dotted notes or notes inégales, in which the longer value precedes ...