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Faces Places received widespread acclaim from critics. [3] On the review aggregator website Rotten Tomatoes, 99% of 144 critics' reviews of the film are positive, with an average rating of 8.8/10; the site's "critics consensus" reads: "Equal parts breezily charming and poignantly powerful, Faces Places is a unique cross-generational portrait of life in rural France from the great Agnès Varda."
Agnès Varda (French: [aɲɛs vaʁda] ⓘ; born Arlette Varda; 30 May 1928 – 29 March 2019) was a Belgian-born French film director, screenwriter and photographer. [1]Varda's work employed location shooting in an era when the limitations of sound technology made it easier and more common to film indoors, with constructed sets and painted backdrops of landscapes, rather than outdoors, on ...
The film played a handful of festivals upon its release in 1981. In August 2015 home distribution company The Criterion Collection remastered and released the film on DVD packaged with Mur Murs and other films that Varda had made while living in California under a box set called Agnès Varda in California.
The Criterion Closet is a film closet owned and stocked by The Criterion Collection, a home video distribution company based in New York City with a specific emphasis on licensing, restoring, and distributing "important classic and contemporary films."
A contemporary review in The New York Times written for a screening of the film at a film festival described the film as "lively and energetic". [1]In a review published by Film School Rejects about a Criterion Collection box set of Agnès Varda's films shot in California, Farah Cheded describes Mur Murs's as having "perfect composition" in its depiction of "dazzlingly painted" walls.
Tributes have come pouring in for director Agnes Varda, who died on Thursday at her home surrounded by her friends and family. The pioneering Belgian-born director shot to prominence with her ...
La Pointe Courte [la pwɛ̃t kuʁt] is a 1955 French drama film directed by Agnès Varda (in her feature film directorial debut).It has been cited by many critics as a forerunner of the French New Wave, [1] with the historian Georges Sadoul calling it "truly the first film of the nouvelle vague". [2]
Agnès Varda, the late New Wave cinema legend, is the subject of “Viva Varda!,” a documentary boasting exclusive archive footage and interviews by filmmakers such as Atom Egoyan and Audrey Diwan.
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