Search results
Results from the WOW.Com Content Network
Ben Jonson: A Literary Life (Macmillan, Basingstoke 1995) Tom Lockwood. Ben Johnson in the Romantic Age (Oxford University Press, 2005) Lynn S. Meskill. Ben Jonson and Envy (Cambridge University Press, 2009) Rosalind Miles. Ben Jonson: His Craft and Art (Routledge, London 2017) Rosalind Miles. Ben Jonson: His Life and Work (Routledge, London 1986)
The character Sogliardo, who Jonson includes in his general mockery of socially ambitious fools, is a country bumpkin, new to the city, who boasts of the coat of arms he has recently purchased, which, when he describes its colours, resembles a fool’s motley. Another character suggests Sogliardo should use the motto, "Not Without Mustard".
All the available evidence indicates that the play was performed by the Lord Chamberlain's Men in 1598 at the Curtain Theatre in Shoreditch, London.That date is given in the play's reprint in Jonson's 1616 folio collection of his works; the text of the play (IV,iv,15) contains an allusion to John Barrose, a Burgundian fencer who challenged all comers that year and was hanged for murder on 10 ...
— Ben Jonson, The Alchemist (1610). Emerging from Ben Jonson 's late- Elizabethan comedies of humours (1598–1599), the conventions of city comedy developed rapidly in the first decade of the Jacobean era , as one playwright's innovations were soon adopted by others, such that by about 1605 the new genre was fully established. [ 1 ]
The masque marked the début of the young Prince Charles, the future King Charles I, in the public life of the Stuart Court. Upon the death of his older brother Prince Henry in 1612, Charles had become the heir to the throne of his father, James I; but his youth and relatively poor health (he'd suffered from rickets as a child) kept Charles from assuming the kind of public prominence that ...
The witch Maudlin having taken the shape of Marian to abuse Robin Hood, and perplex his guests, comes forth with her daughter Douce, reporting in what confusion she had left them; defrauded them of their venison, made them suspicious each of the other; but most of all, Robin Hood so jealous of his Marian, as she hopes no effect of love would ever reconcile them; glorying so far in the extent ...
David Garrick as Abel Drugger in Jonson's The Alchemist by Johann Zoffany (c. 1770). The Alchemist is a comedy by English playwright Ben Jonson.First performed in 1610 by the King's Men, it is generally considered Jonson's best and most characteristic comedy; Samuel Taylor Coleridge believed that it had one of the three most perfect plots in literature.
The use of jewels in the costume was noted. The seated masquers around the throne "seemed to be a mine of light, struck from their jewels and their garments". [7] John Chamberlain mentioned that a lady of lesser rank than a baroness wore jewels valued more than £100,000, and Arbella Stuart and Anne of Denmark's jewels were worth as much and more. [8]