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Kiriko Kamori (家守 霧子, Kamori Kiriko) is a fictional character in the Overwatch media franchise. Her first appearance was in Overwatch 2, a 2022 first-person shooter developed by Blizzard Entertainment. Kiriko's character design and gameplay mechanics draw from the imagery found in Japanese folklore and Shinto folk religion. In the game ...
The development of the sea-going Chinese chuán (the "junk" in modern usage) in the Song dynasty (c. 960 to 1279) is believed to have been influenced by regular contacts with sea-going Southeast Asian ships (the k'un-lun po of Chinese records) in trading ports in southern China from the 1st millennium CE onward, particularly in terms of the ...
Qianli chuan were invented in the late 5th century AD during the Southern Qi dynasty, and the invention is attributed to the ancient Chinese astronomer and mathematician Zu Chongzhi. [ 1 ] [ 3 ] [ 2 ] [ 4 ] References made to the boat were made recalling various tests on the Xinting River, south of modern Nanjing .
Kiriko Nananan (born 1972), Japanese manga artist Kiriko Isono (born 1964), Japanese comedian Kyary Pamyu Pamyu (Kiriko Takemura, born 1993), Japanese tarento, singer, and model
Ultimately, the Chinese opted to pursue a new design for its next replenishment ships: the Type 903-class oiler. These ships can carry around 11,000 tons of cargo, including some 10,000 tons of fuel.
Chinese influence on Japanese culture; Chinese influence on Korean culture; Chinese Internet slang; Chinese kin; Chinese Library Classification; Chinese lineage associations; Chinese number gestures; Chinese pavilion; Chinese social relations; Chinese spiritual world concepts; Chinese views on sin; Chinese wedding door games; Chinese Wit ...
Chinese dragons, legendary creatures in Sinosphere mythology and culture. The Sinosphere, [1] also known as the Chinese cultural sphere, [2] East Asian cultural sphere, [3] or the Sinic world, [4] encompasses multiple countries in East Asia and Southeast Asia that were historically heavily influenced by Chinese culture.
As a result, Kaohsiung was called a "cultural desert" in early times. However, the efforts of the Kaohsiung government and artistic organizations turned the region into a center of Chinese culture beginning in the 1980s. An art museum has been established, as well as a science and technology exhibit and other large-scale exhibitions.