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Waithe, Desmond and Worrell Frank C. 2002. "The Development of the Steel Band in Trinidad and Tobago". Malloy Endowment Supported Lecture. Lewis, W. (1993), "Mechanising the manufacture of the steel pan musical instrument". The Journal of Professional Engineers of Trinidad and Tobago, Vol. 27, No. 2, pp. 35–41. Lewis, W and Ameerali, A. 2010.
Trinidad Loves to Play Carnival 1914-1939, Matchbox 302-2, 1993. ... Award for Excellence in Historical Recorded Sound Research, Association for Recorded Sound ...
Governing Sound: The Cultural Politics of Trinidad's Carnival Musics (University of Chicago Press, 2007). ISBN 978-0-226-31059-6. Mendes, John (1986). Cote ce Cote la Trinidad and Tobago Dictionary. John Mendes, Arima, Trinidad. Munro, Hope. What She Do: Women in Afro-Trinidadian Music (University of Mississippi Press, 2016). I ISBN 978-1496807533.
A sound project started in 1970 at KH Studios in Trinidad to find a way to record the complex calypso rhythm in a new multi-track recording era. Musicians involved in the initiative were Robin Imamshah (guitar, project lead), Angus Nunez (bass), Errol Wise (drums), Vonrick Maynard (drums), Clarence James (percussion), Carl Henderson (keyboards ...
UWI-SRC was established in 1953, as the Volcanological Research Department of the Imperial College of Tropical Agriculture in Trinidad.In the early 1960s the department became the Seismic Research Unit of the University of the West Indies, and in 2008 was formally established as a research centre within the university, and took on the name Seismic Research Centre.
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Simon was born in Laventille, Trinidad. He is credited with the invention of the Ping Pong steelpan instrument. Simon also was part of TASPO, the Trinidad All Steel Percussion Orchestra and visited Great Britain in 1951. [1] Winston "Spree" Simon worked closely with Anthony Williams, who later invented the fourth and fifth soprano pan.
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