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Chowk-poorana mud wall art in Punjab is given shape by the peasant women of the state. In courtyards, this art is drawn using a piece cloth. The art includes drawing tree motifs, flowers, ferns, creepers, plants, peacocks, palanquins, geometric patterns along with vertical, horizontal and oblique lines. These arts add to the festive atmosphere. [5]
A rangoli on the occasion of Diwali, Goa, India A rangoli made with flowers on the occasion of Onam Rangoli at Delhi, India Rangoli is an art form that originates from the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered limestone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks.
Kolam (Tamil: கோலம், Malayalam: കോലം, Kannada: ರಂಗೋಲೆ), also known as Muggu (Telugu: ముగ్గు), Tarai Alangaram (Tamil: தரை அலங்காரம்) and Rangoli (Kannada: ರಂಗೋಲೆ), is a form of traditional decorative art that is drawn by using rice flour as per age-old conventions. It ...
Floral Rangoli during Onam are a tradition. The floral Rangoli, known as Onapookkalam, Athapookkalam or just Pookkalam, [52] is made out of the gathered blossoms with several varieties of flowers of differing tints pinched up into little pieces to design and decorate patterns on the floor, particularly at entrances and temple premises like a ...
An alpana is usually created on flooring, generally directly on the ground. On this, a wet white pigment made of rice flour and water (or in some places, chalk powder and water) is used to outline the alpana, with the paint being applied by the artist's finger tips, a small twig, or a piece of cotton thread that is soaked in the dye, or fabric. [3]
Nepal's various communities celebrate Tihar in different ways. The festival is popularly known as Swanti among the Newars and as Deepawali among Madhesis. [4] Nepalis also make patterns on the floors of living rooms or courtyards using materials such as coloured rice, dry flour, coloured sand or flower petals, called Rangoli, as a sacred welcoming for the gods and goddesses, particularly ...
Then it is covered with white clay, which symbolises sperm. After the clay is set half-way, a comb is used to draw patterns resembling a rising Mother Goddess. The figure of a pregnant peacock is considered the most auspicious symbol for the marriage room, whereas animals, birds, lizards, and flowers are drawn to celebrate the auspicious ...
Hindus also view Annakut as a time to transmit religious and cultural values to children, ask for forgiveness from God and express devotion towards God. Annakut is celebrated with diyas (small oil lamps) and rangoli, decorative art on the ground made from colored rice, colored sand, and/or flower petals. [21]