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The first part, "Book I: The Voyage", is the last song on the 1977 album A Farewell to Kings, and the second part, "Book II: Hemispheres", is the first song on the following album, 1978's Hemispheres. Book I is ten minutes and twenty-five seconds long (10:25), and Book II is eighteen minutes and seven seconds (18:07).
On the R40 Live Tour, the Prelude of Book II was played, transposed down by one whole step due to Lee's decreased vocal range. Immediately afterward, the band played the first and third parts of Book I as instrumentals, with a Peart drum solo as an interlude between them.
It is the final Rush album to feature a side-long track; the 18-minute opener "Cygnus X-1 Book II: Hemispheres" concludes the story initially left as a cliffhanger on A Farewell to Kings, and the Apollonian and Dionysian concept addressed in drummer Neil Peart's lyrics are represented on the cover artwork
"Circumstances" is a song by Canadian rock band Rush from its 1978 album Hemispheres. Lyrically, it is an autobiographical account by drummer Neil Peart about the time he spent living in England, and his eventual disillusionment with his then-current occupations.
"The Trees" is a song by Canadian rock band Rush, from its 1978 album Hemispheres. The song is also featured on many of Rush's compilation albums. On the live album Exit...Stage Left, the song features an extended acoustic guitar introduction titled "Broon's Bane." Rolling Stone readers voted the song number 8 on the list of the 10 best Rush ...
This song is described in the liner notes of the album—its interior and back cover—in two ways: by the actually-sung lyrics, and; by the narrative of the song's Protagonist—identified as "Anonymous, 2112"—quoted and italicized like entries from a personal journal—on the back cover and before the lyrics of all songs except "Overture" and "Grand Finale".
[50] [h] The standard-tuning implementation of a C7 chord is a second-inversion C7 drop 2 chord, in which the second highest note in a second inversion of the C7 chord is lowered by an octave. [ 50 ] [ 52 ] [ 53 ] Drop-two chords are used for sevenths chords besides the major–minor seventh with dominant function, [ 54 ] which are discussed in ...
Voice leading (or part writing) is the linear progression of individual melodic lines (voices or parts) and their interaction with one another to create harmonies, typically in accordance with the principles of common-practice harmony and counterpoint. [1] These principles include voices sounding smooth and independent, generally minimising ...