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From November 30, 1963 to January 23, 1965 there was no Billboard R&B singles chart. Some publications have used Cashbox magazine's stats in their place. No specific reason has ever been given as to why Billboard ceased releasing R&B charts, but the prevailing wisdom is that the chart methodology used was being questioned, since more and more white acts were reaching number-one on the R&B chart.
0–9. List of Harlem Hit Parade number ones of 1942; List of Harlem Hit Parade number ones of 1943; List of Harlem Hit Parade number ones of 1944; List of Billboard number-one R&B songs of 1945
Black Panther: Wakanda Forever – Music from and Inspired By: Roc Nation, Def Jam, Hollywood Debuted at No. 12 on the Billboard 200; 7 Aaron Carter: Blacklisted: Rakkaus Matt Watson: See You There [159] Awful Treasures 9 May J. Bittersweet Song Covers [160] Rhythm Zone Mount Kimbie: MK 3.5: Die Cuts | City Planning [161] Warp: 10 DRAM: What ...
Some Sexy Songs 4 U: OVO Sound, Republic Records [29] Jagged Edge: All Original Parts, Vol. 1. HardCase Music [30] Mereba: The Breeze Grew a Fire: Secretly Canadian [31] Musiq Soulchild & Hit-Boy: Victims & Villains 2: SoulStar [32] They. Love.Jones: Drink Sum Wtr [33] 18 Durand Bernarr: Bloom: Create Music Group [34] 21 Nao: Jupiter: Little ...
On March 1, Leon Hughes died at the age of 92. [16]On March 5, the 20th Korean Music Awards were held. Younha won Song of the Year for "Event Horizon". NewJeans won Rookie of the Year, Best K-Pop Song for "Attention", and Best K-Pop Album for New Jeans.
In 1955, Billboard magazine published three charts specifically covering the top-performing songs in the United States in rhythm and blues and related African-American-oriented music genres. The Best Sellers in Stores chart ranked records based on their "current national selling importance at the retail level", based on a survey of record ...
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within the African-American community in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ...
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