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These publications also featured illustrations depicting the wave of immigration as the arrival of refuse and undesirables from other counties. These illustrations fueled anti-Italian sentiment among the American public. [9] This political cartoon published in the magazine Judge in 1903 is an early example of anti-Italian sentiment in print media.
Political cartoon by Dr. Seuss depicting Japanese Americans as sleeper agents ready to attack the United States from within following the attack on Pearl Harbor. While a student at Dartmouth College in the 1920s, Theodor Seuss Geisel drew cartoons for the campus's humor magazine, the Dartmouth Jack-O-Lantern, some of which contain anti-black racist and anti-Semitic elements [citation needed].
Early graphic art of all kinds often depicted Black characters in a stylized fashion, emphasizing certain physical features to form a recognizable racial caricature of Black faces. These features often included long unkempt hair, broad noses, enormous red-tinted lips, dark skin and ragged clothing reminiscent of those worn by Black slaves.
In drawings, their skin color was depicted as being deep red. In westerns and other media portrayals, they are usually called "Indians". Examples of this stereotypical image of Native Americans can be found in many American westerns which were produced before the early 1960s, and they are also found in cartoons such as Peter Pan. In other ...
Palestinian American U.S. lawmaker Rashida Tlaib on Friday condemned as racist a cartoon published in the conservative magazine National Review showing her with an exploding pager - a reference to ...
The cartoons created by suffragists were largely made with the purpose to provide a different perspective to the negative portrayals of suffragist women in anti-suffrage cartoons. Nina Allender was one of the notable cartoonists of this era, and after being enlisted by Alice Paul , worked to create the image of the "Allender Girl".
Many of the available examples of racism in Anti-Japanese propaganda share the same likeness of a Japanese person with yellow skin, squinted eyes, and sharp, fang-like teeth. Many of the examples also include the saying, "This is the Enemy". This phrase further emphasizes the goal of the United States to illustrate the Japanese as evil.
The Magic Washer. The George Dee Magic Washing Machine Company commissioned Uncle Sam Kicks Out The Chinaman in 1886. Published in Chicago by Shober & Carqueville Lithograph Co., the cartoon depicts patriotic symbol Uncle Sam kicking out the Chinese in order to promote The George Dee Magic Washing Machine Company's new detergent in an effort to displace Chinese laundry operators.