Search results
Results from the WOW.Com Content Network
Move punctuation character to the end of the previous line. Oidashi (Wrap to next) Send characters not permitted at the end of a line to the next line, increase tracking to pad out first line. Another use is to wrap a character from the first line with the goal of preventing a character that shouldn't start a line from coming first on the next ...
It specifies where it would be OK to add a line-break where a word is too long, or it is perceived that the browser will break a line at the wrong place. Whether the line actually breaks is then left up to the browser. The break will look like a space - see soft hyphen below when it would be more appropriate to break the word or line using a ...
The bottom line for me, however, is the Emacs commands for moving between sentences: M-e moves forward one sentence and M-a moves back one sentence. These two commands are really handy. If you need to navigate long, unbroken lines, like when editing Wikipedia, they are to live by. Oh, but they only work properly when two spaces are put between ...
A word without hyphens can be made wrappable by having soft hyphens in it. When the word isn't wrapped (i.e., isn't broken across lines), the soft hyphen isn't visible. But if the word is wrapped across lines, this is done at the soft hyphen, at which point it is shown as a visible hyphen on the top line where the word is broken.
In typesetting, widows and orphans are single lines of text from a paragraph that dangle at either the beginning or end of a block of text, or form a very short final line at the end of a paragraph. [1] When split across pages, they occur at either the head or foot of a page (or column), unaccompanied by additional lines from the same paragraph ...
Shortcut Action; Navigate to the left tab [Navigate to the right tab ] Start a new email conversation N: Go to the inbox M: Go to Settings ; Search
Screw that, you pay for what you eat," one user wrote. "And please, stop dining with your sisters (if you are forced to, again, ask for a separate check and don't let them guilt you into anything.)"
This line includes a masculine caesura after θεὰ, a natural break that separates the line into two logical parts. Homeric lines more commonly employ feminine caesurae; this preference is observed to an even higher degree among the Alexandrian poets. [3] An example of a feminine caesura is the opening line of the Odyssey: