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Someone Behind the Door (French: Quelqu'un derrière la porte) is a 1971 French crime-drama film directed by Nicolas Gessner. In the UK, it was twice retitled as Two Minds For Murder (theatrical title) and Brainkill (VHS title). It is based on a novel by Jacques Robert. The film was shot on location in Folkestone, England. [citation needed]
Someone Behind the Door: Nicolas Gessner: Charles Bronson, Anthony Perkins, Jill Ireland: Thriller: French-Italian co-production [34] The Sorrow and the Pity: Marcel Ophüls: Documentary [35] Touch and Go: Philippe de Broca: Marlène Jobert, Michel Piccoli, Michael York: Comedy: French-Italian co-production [36] Trafic: Jacques Tati: Jacques ...
In 1971, he acted in Nicolas Gessner's French thriller, Someone Behind the Door, alongside Anthony Perkins. [31]: 324 Also that year, he acted in Terence Young's French-Spanish-Italian Western, Red Sun. [31]: 211 In 1972, The Valachi Papers was directed by Terence Young; Bronson played Joseph Valachi. [142]
Someone Behind the Door (1971) Liza (1972) The Old Maid (1972) The Clockmaker (1974) Le Sauvage (1975) The Judge and the Assassin (1976) S.A.S. à San Salvador (1983 ...
This list only covers films containing actual or attempted home invasions, and does not include movies based around assaults on other places such as Assault on Precinct 13, which dealt with a police station being invaded, or intrusion under false pretenses, such as Orphan.
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Charles Bronson at the Cannes Film Festival in the late 1980s.. Charles Bronson (born Charles Dennis Buchinsky; November 3, 1921 – August 30, 2003) was an American actor.. Known for his "granite features and brawny physique," [1] he gained international fame for his starring roles in action, western, and war films; initially as a supporting player and later a leading
Someone at the Door is a 1950 British second feature ('B') [2] crime comedy film directed by Francis Searle and starring Michael Medwin, Garry Marsh and Yvonne Owen. [3] [4] It was written by A. R. Rawlinson based on the West End play of the same name by Campbell Christie and his wife Dorothy, which had previously been turned into a film in 1936.
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