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This are a list of those fables attributed to the ancient Greek storyteller, Aesop, or stories about him, which have been in many Wikipedia articles. Many hundreds of others have been collected his creation of fables over the centuries, as described on the Aesopica website. [1]
The fable as portrayed in a mediaeval bestiary The Dog and Its Reflection (or Shadow in later translations) is one of Aesop's Fables and is numbered 133 in the Perry Index . [ 1 ] The Greek language original was retold in Latin and in this way was spread across Europe, teaching the lesson to be contented with what one has and not to relinquish ...
The fable was also included in Edward Hughes' Songs from Aesop's fables for children's voices and piano (1965), as the second of Anthony Plog's set for narrator, piano and horn (1989/93) [18] and among the fables set by Yvonne Gillespie for narrator and full orchestra (2001).
The Weasel and Aphrodite [a] (Ancient Greek: Γαλῆ καὶ Ἀφροδίτη, romanized: Galê kaì Aphrodítē), also known as Venus and the Cat is one of Aesop's Fables, numbered 50 in the Perry Index. A fable on the cynic theme of the constancy of one's nature, it serves as a cautionary tale against trusting those with evil temper, for ...
The Scorpion and the Frog is sometimes attributed to Aesop, although it does not appear in any collection of Aesop's fables published before the 20th century. [ 9 ] [ 12 ] However, there are a number of ancient fables traditionally attributed to Aesop which teach a similar moral, the closest parallels being The Farmer and the Viper and The Frog ...
Credited as among Aesop's Fables, and recorded in Latin by Phaedrus, [1] the fable is numbered 137 in the Perry Index. [2] There are also versions by the so-called Syntipas (47) via the Syriac, Ademar of Chabannes (60) in Mediaeval Latin, and in Medieval English by William Caxton (4.16). The story concerns a flea that travels on a camel and ...
The fable of "The Lion, the Bear and the Fox" figured as one of a series in the Copeland and Garrett period of late Spode pottery between 1830–79. The designs for these were taken from the illustrations in the 1793 edition of the Rev. Samuel Croxall's Fables of Aesop. [21]
Gustave Doré's 1867 print of the ape astride a sea monster. The Ape (or monkey) and the Dolphin is one of Aesop's Fables and is numbered 73 in the Perry Index. [1] Due to its appearance among La Fontaine's Fables, it has always been popular in France, but in Britain treatment of the story was rarer until the 19th century.
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