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This are a list of those fables attributed to the ancient Greek storyteller, Aesop, or stories about him, which have been in many Wikipedia articles. Many hundreds of others have been collected his creation of fables over the centuries, as described on the Aesopica website. [1]
Aesop (left) as depicted by Francis Barlow in the 1687 edition of Aesop's Fables with His Life.. Aesop's Fables, or the Aesopica, is a collection of fables credited to Aesop, a slave and storyteller who lived in ancient Greece between 620 and 564 BCE.
In the Latin versions of Walter of England, [5] Odo of Cheriton [6] and Heinrich Steinhöwel's Aesop, [7] for example, the word umbra is used. At that time it could mean both reflection and shadow, and it was the latter word that was preferred by William Caxton, who used Steinhöwel's as the basis of his own 1384 collection of the fables. [8]
The Dog and the Wolf is one of Aesop's Fables, numbered 346 in the Perry Index. [1] It has been popular since antiquity as an object lesson of how freedom should not be exchanged for comfort or financial gain. An alternative fable with the same moral concerning different animals is less well known.
In addition, Julie Giroux made it the first movement in her A Symphony of Fables (2006) and David Edgar Walther included it in his 2009 opera cycle Aesop's Fables. [19] In 2012 it was one of the ten on David P. Shortland's Australian recording, Aesop Go HipHop , where the sung chorus after the hip hop narration advised against discrimination ...
Gustave Doré's 1867 print of the ape astride a sea monster. The Ape (or monkey) and the Dolphin is one of Aesop's Fables and is numbered 73 in the Perry Index. [1] Due to its appearance among La Fontaine's Fables, it has always been popular in France, but in Britain treatment of the story was rarer until the 19th century.
The Fox and the Cat is an ancient fable, with both Eastern and Western analogues involving different animals, that addresses the difference between resourceful expediency and a master stratagem. Included in collections of Aesop's fables since the start of printing in Europe, it is number 605 in the Perry Index. In the basic story a cat and a ...
The moral drawn in Mediaeval Latin retellings of the fable such as those of Adémar de Chabannes and Romulus Anglicus [7] was that one should learn from the misfortunes of others, but it was also given a political slant by the additional comment that "it is easier to enter the house of a great lord than to get out of it", as William Caxton expressed it in his English version. [8]
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