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The Mass is an album released in 2003 by Eric Lévi's musical project Era.It is Era's third album. It achieved success in several European countries. The title track, "The Mass", is an adaptation of O Fortuna, a classical piece by Carl Orff.
Era mixes Gregorian chants and occasionally world music with contemporary electronic and pop-rock arrangements. It is reminiscent of new-age music projects such as Enigma, Gregorian, and Deep Forest. Era's lyrics are written in Latin and English, and some are based on beliefs of the Cathars, a 13th century sect of French heretics. [citation needed]
A music video for "Ameno" was shot for the song featuring actors Léonore Confino (sword girl) (version 1), Iréne Bustamante, and Pierre Boisserie (version 2). The music video, set in medieval times, shows three children who go on an excursion to Montségur. The girl sees a monument and when she touches it, she seems to have memories of a past ...
Centre panel from Memling's triptych Last Judgment (c. 1467–1471) " Dies irae" (Ecclesiastical Latin: [ˈdi.es ˈi.re]; "the Day of Wrath") is a Latin sequence attributed to either Thomas of Celano of the Franciscans (1200–1265) [1] or to Latino Malabranca Orsini (d. 1294), lector at the Dominican studium at Santa Sabina, the forerunner of the Pontifical University of Saint Thomas Aquinas ...
The earliest musical settings of the mass are Gregorian chant.The different unchanging portions of the mass, collectively known as the Ordinary, came into the liturgy at different times, with the Kyrie probably being first (perhaps as early as the 7th century) and the Credo being last (it did not become part of the Roman mass until 1014).
Mass (formally: MASS: A Theatre Piece for Singers, Players, and Dancers) is a musical theatre work composed by Leonard Bernstein with text by Bernstein and additional text and lyrics by Stephen Schwartz. Commissioned by Jacqueline Kennedy, it premiered on September 8, 1971, conducted by Maurice Peress and choreographed by Alvin Ailey. [1]
The translation above is adapted slightly from program notes for the early music group Capella Alamire. An extensive listing of sources and critical commentary on Masses based on the "L'homme armé" tune, created as part of a Spring 2002 seminar by Mary Kay Duggan at the University of California, Berkeley, is available at Reform and music: 1450 ...
Missa Papae Marcelli, or Pope Marcellus Mass, is a mass sine nomine by Giovanni Pierluigi da Palestrina. It is his best-known mass, [ 1 ] [ 2 ] and is regarded as an archetypal example of the complex polyphony championed by Palestrina.