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The paletot was knee-length, with three cape-collars and slits for the arms, and the pardessus was half or three-quarter length coat with a defined waist and sleeves. [18] For evening, voluminous mantles of velvet or satin, with fur trim or fur linings in cold climates, were worn with the gown. [18]
The lack of a modesty piece at the chest is characteristic of the romantic style. It was at this period that women exposed their breasts for the first time. Dutch lacemaker's jacket-bodice has a dropped shoulder line and full, three-quarter length sleeves cartridge-pleated at shoulder and cuff. Her indoor cap has a circular back and hood is ...
Even the clothes women would ride horses in received these sorts of embellishments. [5] Croquet players of 1864 loop their skirts up from floor-length over hooped petticoats. Small hats with ribbon streamers were very popular for young women in the mid-1860s. Day dresses featured wide pagoda sleeves worn over undersleeves or engageantes.
The Museum of Fine Arts, Boston has in its collection [3] four excellently preserved pleated linen dresses, all found in 1902-1903 by George A. Reisner at the cemetery of Naga ed-Deir in Egypt. [4] It is not known exactly how the Egyptians pleated linen, but the material may have been "folded, accordion style, then tied, and wetted."
Three-quarter and full-length capes with wide revers were very common at this time. In 1907, women wore coats that looked like men's morning coats and in 1908 ground-length coats came into fashion. In 1909, the so-called full-length or half-length "Russian" coat became popular.
Two women wearing the robe à la polonaise, literally meaning the Polish dress Jean-Michel Moreau, Le Rendez-vous pour Marly, engraved by Carl Guttenberg c. 1777.. The robe à la polonaise or polonaise, literally meaning the Polish dress, is a woman's garment of the 18th century 1770s and 1780s or a similar revival style of the 1870s inspired by Polish national dress style, costume, [1 ...
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