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The Holy Trinity, with the Virgin and Saint John and donors (Italian: Santa Trinità) is a fresco by the Italian Renaissance artist Masaccio in the Dominican church of Santa Maria Novella, in Florence.
The iconography of the Trinity, flanked by Mary and John or including donors, is not uncommon in Italian art of the late 14th and early 15th centuries, and the association of the Trinity with a tomb also has precedents. No precedent for the exact iconography of Masaccio's fresco, combining all these elements, has been discovered, however.
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The Trinity is an integral part of the Christian religion. There have been many interpretations and debates about the subject. The Trinity historically refers to the Father (God), Son (Jesus), and the Holy Spirit. Countless Greek and Italian painters adopted the subject. Masaccio painted an Italian version known as the Holy Trinity. It was a ...
The majority of scholars see four sections in the Gospel of John: a prologue (1:1–18); an account of the ministry, often called the "Book of Signs" (1:19–12:50); the account of Jesus's final night with his disciples and the passion and resurrection, sometimes called the Book of Glory [34] or Book of Exaltation (13:1–20:31); [35] and a ...
Masaccio (UK: / m æ ˈ s æ tʃ i oʊ /, US: / m ə ˈ s ɑː tʃ i oʊ, m ə ˈ z ɑː tʃ (i) oʊ /; [1] [2] [3] Italian: [maˈzattʃo]; December 21, 1401 – summer 1428), born Tommaso di Ser Giovanni di Simone, was a Florentine artist who is regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance.
The fresco is a single scene from the cycle painted around 1425 by Masaccio, Masolino and others on the walls of the Brancacci Chapel in the church of Santa Maria del Carmine in Florence. It depicts the expulsion of Adam and Eve from the garden of Eden , from the biblical Book of Genesis chapter 3, albeit with a few differences from the ...
The account claimed to review the textual evidence available [2] from ancient sources on two disputed Bible passages: 1 John 5:7 and 1 Timothy 3:16. Newton describes this letter as "an account of what the reading has been in all ages, and what steps it has been changed, as far as I can hitherto determine by records", [ 3 ] and "a criticism ...
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