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  2. Locked hands style - Wikipedia

    en.wikipedia.org/wiki/Locked_hands_style

    The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing. The other 3 notes of the chord are voiced as closely as possible below the melody note, which is the definition of a block chord. [1]

  3. Category:Compositions for piano four-hands - Wikipedia

    en.wikipedia.org/wiki/Category:Compositions_for...

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  4. Three Easy Pieces (Stravinsky) - Wikipedia

    en.wikipedia.org/wiki/Three_Easy_Pieces_(Stravinsky)

    Even though they are titled as "easy", only the left part is easy, the right hand sustaining the whole burden of the composition. [3] In this case, the secondo has only one staff and uses both hands to play ostinato parts. The set features an overtly satirical character, in contrast to its twin set, which is much more serious and displays much ...

  5. La Bonne Cuisine: Four Recipes for Voice and Piano - Wikipedia

    en.wikipedia.org/wiki/La_Bonne_Cuisine:_Four...

    Bernstein's score notes the plum pudding recipe should be sung "tone preciso e senza espressione" or "rather grim". [8] Paul Laird, in his 2002 book, Leonard Bernstein: A Guide to Research, wrote that Bernstein was "often at his best when writing humorous music" and that his "wit shines through" in the piece. Laird felt that the "finale is ...

  6. You Can Play These Songs with Chords - Wikipedia

    en.wikipedia.org/wiki/You_Can_Play_These_Songs...

    You Can Play These Songs with Chords is an early (1996–97) demo from the rock band Death Cab for Cutie, which at the time consisted entirely of founder Ben Gibbard.This demo was originally released on cassette by Elsinor Records.

  7. Six Songs from A Shropshire Lad - Wikipedia

    en.wikipedia.org/wiki/Six_Songs_from_A...

    Six Songs from A Shropshire Lad is a song cycle for baritone and piano composed in 1911 by George Butterworth (1885–1916). It consists of settings of six poems from A. E. Housman's 1896 collection A Shropshire Lad. Butterworth set another five poems from A Shropshire Lad in Bredon Hill and Other Songs (1912).

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