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The Sala di Donatello of the Bargello in Florence, the museum with the largest and best collection of Donatello's work. The following catalog of works by the Florentine sculptor Donatello (born around 1386 in Florence; died on December 13, 1466, in Florence) is based on the monographs by H. W. Janson (1957), Ronald Lightbown (1980), and John Pope-Hennessy (1996), as well as the catalogs of the ...
Donatello's bronze David, now in the Bargello museum, is his most famous work, and the first known free-standing nude statue produced since antiquity. It is conceived fully in the round, independent of any architectural surroundings, and nearly at life-size.
This is a list of sculptors – notable people known for three-dimensional artistic creations, which may include those who use sound and light. It is incomplete and ...
Sculptures by Donatello (c.1380s−1466) — the Italian Renaissance sculptor, based in the Republic of Florence. Pages in category "Sculptures by Donatello" The following 36 pages are in this category, out of 36 total.
This is a list of notable people associated with the Renaissance. Artists and architects ... Donatello; Albrecht Dürer; Hans Dürer; Jean Fouquet; Rosso Fiorentino;
The statue is known for its realism and naturalism, which differed from most statuary commissioned at the time. [3] Zuccone is reported to have been Donatello's favorite, and he has been claimed to swear by the sculpture, "By the faith I place in my zuccone." [2] [4] Donatello is said to have shouted "speak, damn you, speak!" at the marble as ...
Donatello, the bronze David (1440s?), Bargello Florence, h.158 cm David is a bronze statue of the biblical hero by the Italian Early Renaissance sculptor Donatello , probably made in the 1440s. Nude except for helmet and boots, it is famous as the first unsupported standing work of bronze cast during the Renaissance , and the first freestanding ...
Domenico Ghirlandaio, Confirmation of the Rule (detail) - the original Marzocco can be seen on the corner of the palazzo in the background at left, 1480s.. The original that had stood since (perhaps) 1377, and is now lost, appears to have been similar to Donatello's in design, though it was fully gilded and may have crouched over a submissive wolf representing Florence's great rival Siena. [1]