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Maciunas' Fluxus Manifesto, copies of which were thrown into the audience at the Festum Fluxorum Fluxus, Düsseldorf, February 1963. His father, Alexander M. Maciunas, was a Lithuanian architect and engineer who had trained in Berlin, and his mother, Leokadija, was a Russian-born dancer from Tiflis affiliated with the Lithuanian National Opera [3] and, later, Aleksandr Kerensky's private ...
Fluxus 1, 1964.This copy in the Archiv Sohm, Staatsgalerie Stuttgart. Fluxus 1 is an artists' book edited and produced by the Lithuanian-American artist George Maciunas, containing works by a series of artists associated with Fluxus, the international collective of avant-garde artists primarily active in the 1960s and 1970s.
Fluxus Manifesto, 1963, by George Maciunas Poster to Festum Fluxorum Fluxus 1963. Fluxus was an international, interdisciplinary community of artists, composers, designers, and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product.
Although it can be argued [1] that An Anthology is not strictly a Fluxus publication, its development and production were central events in the formation of Fluxus. It marked the first collaborative publication project between people who were to become part of Fluxus: Young (editor and co-publisher), Mac Low (co-publisher) and Maciunas (designer).
Emmett Williams, Philip Corner, John Cage, Dick Higgins, Allen Bukoff, Larry Miller, Eric Andersen, Tomas Schmit, Ben Vautier (1963–1978), George Maciunas, Fluxus Manifesto (1963) Mierle Laderman Ukeles, Maintenance Art Manifesto (1969) Kurt Schwitters, The Merz Stage (1919) 8. Surrealism / Spatialism: Puppeteer André Breton, Manifesto of ...
Foreman mounted his first production with Ontological-Hysteric Theatre in 1968 at the Film-Maker's Cinematheque on Wooster Street, where he worked under the Fluxus leader George Maciunas. [14] Ontological-Hysteric Theatre balances a primitive and minimal art style with extremely complex and theatrical themes. [1]
Before Fluxus founder George Maciunas died in 1978 from complications due to pancreatic cancer, he left behind his thoughts on Fluxus in a series of important video conversations with Miller called Interview With George Maciunas which has been screened internationally and translated into numerous languages. [13]
In his 1973 diagram showing the development and scope of Fluxus, George Maciunas included mail art among the activities pursued by the Fluxus artist Robert Filliou. [15] Filliou coined the term the "Eternal Network" that has become synonymous with mail art. [16]