Search results
Results from the WOW.Com Content Network
Certain scenes of Telugu actors dubbed including part of the Dharmavarapu Subramanyam and Junior Relangi scene, Sanjay Swaroop's dialogue at the wedding, Brahmanadam-Ali combination scene and Brahmanandam complaining to police about Pappu's shapeshifting
[1] [2] It is one of the earliest modern works in an Indian language, and it is the first Telugu play to deal with social issues. [3] [4] The play portrays the practice of Kanya-sulkam (roughly translates to bride price) which was common among the priestly Brahmins in Telugu-speaking areas of southern India. Controversial in its time, this play ...
Jahnavi Reddy of The News Minute, wrote that the film is noted for its dialogues and unique insults, which came to be used commonly in conversations. "While more recent films and their dialogues are frequently woven into conversations, there has been a big change in the kind of Telugu used in these popular dialogue," she added.
This book describes the sacred idea of performance art. According to the book Bollywood: A Guidebook to Popular Hindi Cinema, Indian films have their roots in an old Indian Aesthetics theory, which is the Natyashastra, where they use the concepts of rasa and bhava to explain how emotions work. Rasa translates as "flavor". [8]
The story drew inspiration from the 1959 Tamil film Kalyana Parisu, directed by C. V. Sridhar, who also directed its Hindi remake, Nazrana, (1961) starring Raj Kapoor and Vyjayanthimala and the 1960 Telugu movie Pelli Kanuka. [1] [2] The dialogues were written by Satyanand. [3] The song "Elluvache Godaramma" was shot at Godavari, Pedapatnam. [4]
Daana Veera Soora Karna features ten songs and thirty-five verses, making it one of the most song-heavy films in Telugu cinema, surpassed only by Lava Kusa (1963). [3] Many of the verses were adapted from Paandavodyoga Vijayam and Sree Krishna Raayabaram , written by the poet duo Tirupati Venkata Kavulu . [ 4 ]
The roots of drama in the Indian subcontinent can be traced back to the Rigveda (1200-1500 BCE), which contains a number of hymns in the form of dialogues, or even scenes, as well as hymns that make use of other literary forms such as animal fables [1] However, Indian drama begins its classical stage in the classical period with the composition ...
Annamayya is a 1997 Indian Telugu-language hagiographical film directed by K. Raghavendra Rao and produced by V. Doraswamy Raju under the VMC Productions banner. The film portrays the life of the 15th century composer Annamacharya, played by Nagarjuna Akkineni who features alongside an ensemble cast including Mohan Babu, Suman, Ramya Krishna, Bhanupriya, Roja, and Kasthuri.