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Cupid's bow feature on the superior human lip. The Cupid's bow is a facial feature where the double curve of a human upper lip is said to resemble the bow of Cupid, the Roman god of erotic love. The peaks of the bow coincide with the philtral columns giving a prominent bow appearance to the lip.
Cupid's bow feature of a human lip. The upper and lower lips are referred to as the labium superius oris and labium inferius oris, respectively. [2] [3] The juncture where the lips meet the surrounding skin of the mouth area is the vermilion border, [4] and the typically reddish area within the borders is called the vermilion zone. [5]
Cupid was the enemy of chastity, and the poet Ovid opposes him to Diana, the virgin goddess of the hunt who likewise carries a bow but who hates Cupid's passion-provoking arrows. [71] Cupid is also at odds with Apollo, the archer-brother of Diana and patron of poetic inspiration whose love affairs almost always end disastrously. Ovid jokingly ...
In lines 2.1.67–71, Tibullus defends his preference to make the countryside a major part of his book of love-poetry by arguing that Cupid first began his activities in a rural setting. In terms of subject matter and verbal echoes, this poem also has a lot in common with the first poem of book 1, which is also about a rural festival.
In the classical world, erotic love was generally described as a kind of madness or theia mania ("madness from the gods"). [5] This erotic love was described through an elaborate metaphoric and mythological schema involving "love's arrows" or "love darts", the source of which was often the personified figure of Eros (or his Latin counterpart, Cupid), [6] or another deity (such as Rumor). [7]
The novel itself is written in a picaresque Roman style, yet Psyche retains her Greek name even though Eros and Aphrodite are called by their Latin names (Cupid and Venus). Also, Cupid is depicted as a young adult, rather than a fat winged child (putto amorino). [28] The story tells of the quest for love and trust between Eros and Psyche.
In Renaissance art, the form of the putto was derived in various ways including the Greek Eros or Roman Amor/Cupid, the god of love and companion of Aphrodite or Venus; the Roman, genius, a type of guardian spirit; or sometimes the Greek, daemon, a type of messenger spirit, being halfway between the realms of the human and the divine.
Lipstick was worn around the lips to form a "Cupid's bow," inspired by actress Clara Bow. [19] At that time, it was acceptable to apply lipstick in public and during lunch, but never at dinner. [17] [20] In the early 1930s, Elizabeth Arden began to introduce different lipstick colors. She inspired other companies to create a variety of lipstick ...