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The lotus, Nelumbo nucifera. The lotus (Sanskrit: पद्म, romanized: Padmā), Nelumbo nucifera, is an aquatic plant that plays a central role in the art of Indian religions such as Hinduism, Buddhism and Jainism. In Asian art, a lotus throne is a stylized lotus flower used as the seat
The lotus flower holds high spiritual significance across Hinduism, Buddhism and different Asian cultures alike. In China, for example, the lotus symbolizes associated with purity, grace and beauty.
Since religion and culture are inseparable with Hinduism recurring symbols such as the gods and their reincarnations, the lotus flower, extra limbs, and even the traditional arts make their appearances in many sculptures, paintings, music, and dance.
Over the millennia of its development, Hinduism has adopted several iconic symbols, forming part of Hindu iconography, that are imbued with spiritual meaning based on either the scriptures or cultural traditions. The exact significance accorded to any of the icons varies with region, period and denomination of the followers.
The lotus flower has a rich, layered meaning that dates back centuries and spans ayurveda to art history. Learn why the lotus flower is such a powerful symbol.
The lotus also symbolises the earth and is even said to contain the universe, and hence it is especially appropriate as an emblem for the divine preserver of the universe. The Vishnudharmottara specifically states that the lotus emerging from Vishnu's navel symbolises the earth, while the stalk represents the cosmic mountain, Meru , the axis of ...
The lotus symbolizes non-attachment in some religions in Asia owing to its ability to grow in muddy waters yet produce an immaculate flower. Nonattachment, non-attachment, or detachment is a state in which a person overcomes their emotional attachment to or desire for things, people, or worldly concerns and thus attains a heightened perspective.
The lotus throne, sometimes called lotus platform, is a stylized lotus flower used as the seat or base for a figure in art associated with Indian religions. It is the normal pedestal for divine figures in Buddhist art and Hindu art, and often seen in Jain art. [1] Originating in Indian art, it followed Indian religions to East Asia in particular.