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Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006). Chinese symbolism and art motifs : a comprehensive handbook on symbolism in Chinese art through the ages. New York: Tuttle Pub. ISBN 978-1-4629-0314-6. OCLC 782879753
Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based on or draws on Chinese culture , heritage, and history.
Chinese calligraphy differs from western calligraphic script in the sense that it was done with a brush instead of metal implements or a quill. Calligraphy was the art by which a scholar could compose his thoughts to be immortalized. It was the scholar's means of creating expressive poetry and sharing his or her own learnedness.
New forms of Chinese art were heavily influenced by the New Culture Movement, which adopted Western techniques and employed socialist realism. The Cultural Revolution would shape Chinese art in the 20th century like no other event in history with the Four Olds destruction campaign. Contemporary Chinese artists continue to produce a wide range ...
The art form of shan shui has been popular to the point where a Chinese animation from 1988 entitled Feeling from Mountain and Water uses the same art style and even the term for the film's title. Additionally, many recent movies and plays produced in China, specifically House of Flying Daggers and Hero , use elements of the style itself in the ...
Much traditional Chinese art was made for the imperial court, often to be then redistributed as gifts. As well as Chinese painting, sculpture and Chinese calligraphy, there are a great range of what may be called decorative or applied arts. Chinese fine art is distinguished from Chinese folk art, which differs in its style and purpose. This ...
Six Gentlemen is a landscape painting by the Yuan dynasty Chinese artist Ni Zan (1301–1374). The work portrays six trees along a riverbank, a metaphor for the principled seclusion of virtuous gentlemen in an era of violent upheaval and foreign occupation.
Though the pioneer of Chinese court lady paintings was Mao Yanshou from the Han dynasty, the Tang dynasty court painters gave their works a unique look fusing Central Plain art with influences from Central Asia, Near East and other regions, reconceptualizing female beauty that went beyond canvases, to tomb murals, poems, and statuettes.